![]() ![]() Multisensory Aesthetic Experience marks the band’s first LP since 2007’s Singularity (released via Capitol to critical and fan acclaim alike) and their first new music since reforming for anniversary performances of Destination: Beautiful in 2013 and The Everglow in 2015. The trio’s desire to exist as far more than just a sonic expression ultimately lays the blueprint for exploration and empowerment – and that dogged sense of growth and experimentation is perhaps brighter than ever on their fourth full-length album, Multisensory Aesthetic Experience, due out Novemon Tooth & Nail Records. It’s an element they’ve weaved through their art their entire career, from a pair of beloved underground albums for Tooth & Nail Records that helped define new-millennium emo (2003’s Destination: Beautiful and 2005’s The Everglow ) through the steadfast blue-sky ingenuity of their live show: In 2016 at the Tower of David in Jerusalem, Mae became the first band to perform a synced virtual reality concert experience. ![]() The band – comprised of Dave Elkins, Jacob Marshall, and Zach Gehring – formed in Norfolk, Virginia, in 2001, using their name to represent the overarching concept of Multisensory Aesthetic Experience. Since day one, MAE have always lived at the intersection of art and innovation. Follow him on Twitter WillRHiggins.20th Anniversary of Destination BeautifulĪGE RESTRICTION: 18+ or Accompanied by Legal Guardian But on the walls, there'll be photographs, courtesy of Larry Goshen, of Keetie and the Kats and Boyd Bennett and the Rockets, among others, and hopefully Lattie Moore.Ĭontact Star reporter Will Higgins at (317) 444-6043. There will be no live music in the new Thunderbird, however, only piped in punk and rockabilly. "I was very much into rock 'n' roll, like so many young people," Goshen said. A year later he was drumming there, with Moore and others. ![]() He graduated from Tech High School, on Indianapolis' eastside, in 1959, when rock 'n' roll and the Thunderbird were new. Goshen, 73, quit performing music five years ago, and has written two books about Indianapolis rock 'n' roll, "Let the Good Times Roll: An Anthology of Indianapolis Rock and Roll," and "Indy's Heart of Rock and Roll." A professional photographer, he lives in an apartment in Fountain Square among numerous vintage showbiz artifacts. Just a few months ago Moore's some-time drummer, Larry Goshen, was one of the old-timers who poked their heads in the door of the Thunderbird during its recent remodelling. "I bet I saw Lattie Moore half a dozen times, he was tops," Gulley said. Moore lived in Indianapolis but performed and recorded widely such tunes as "Just A-Waitin,'" "Why Did You Lie to Me," and "Drunk Again." Moore's "Juke Joint Johnny" may have been the first rock-and-roll record cut in Nashville. Gulley wore cowboy boots and wasn't the only one, and the entertainment, he recalled, was often provided by Lattie Moore and the Allen County Boys, an early country/rock crossover act. It was "a going Jesse," in (Kentucky-born) Gulley's recollection, meaning it was lively, "and they had bouncers, but people basically behaved and had a good time dancing and drinking and that's it." Juke joints have long been places where people look for trouble but The Thunderbird was never a violent place, at least in the memory of Jack Gulley, a Ford salesman whose friend Ira Orcutt's brother, Jim Orcutt, owned the place in the early 1970s when it was a country-and-western bar. ![]()
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